A Horse With No Name. -. America. , ukulele chords. Intro: Em D6 x2 Em D6 On the first part of the journey Em D6 I was lookin at all the life Em D6 There were plants and birds and rocks and things Em D6 There were sand and hills and rings Em D6 The first thing I met was a fly with a buzz Em D6 and the sky with no clouds Em D6 the heat was hot
11/3/2016 12:42:24 AM. Review of A Horse with No Name . this piece i chose because it is one of my favorites from high school. it is a very nice written piece i thought;very challenging in its musical form;and a real piece of work to learn from! i thought it was very interesting and loved learning the song from it :) i worked with it and was able to get out of it what i wanted.
Made me sad to think it was dead. You see I've been through the desert on a horse with no name. It felt good to be out of the rain. In the desert you can remember your name. 'Cause there ain't no one for to give you no pain. La, la After nine days I let the horse run free. 'Cause the desert had turned to sea.
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A Horse With No Name - Line Dance (Dance & Walk Through)Choreographer: Marie Sørensen (Sunshine Cowgirl) - Denmark -- June 2011 Music: "A Horse With No Name"
Liner Notes. âA Horse With No Nameâ by America is a classic folk-rock song written by Dewey Bunnell. This song bears some resemblance to Neil Youngâs folky acoustic rock. Ironically, back in 1972 âA Horse With No Nameâ is the song that replaced Neilâs âHeart of Goldâ as the number one single in America. Both chords are easy
rsLJo. ďťżOn the first part of the journey I was looking at all the life There were plants and birds and rocks and things There was sand and hills and rings The first thing I met was a fly with a buzz And the sky with no clouds The heat was hot, and the ground was dry But the air was full of sound Iâ˛ve been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ainâ˛t no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la After two days in the desert sun My skin began to turn red After three days in the desert fun I was looking at a river bed And the story it told of a river that flowed Made me sad to think it was dead You see I've been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ainâ˛t no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la After nine days, I let the horse run free â˛Cause the desert had turned to sea There were plants and birds and rocks and things There was sand and hills and rings The ocean is a desert with it's life underground And a perfect disguise above Under the cities lies a heart made of ground But the humans will give no love You see Iâ˛ve been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ainâ˛t no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la
Home Features Classic Rock What price would any sane bookmaker offer on three American youths meeting one another in the UK, scoring a hit with a single that wasnât even on their debut albumâs first pressing, then becoming one of the biggest-selling acts of the 70s? Probably very long odds. But in fact itâs exactly what happened when guitarist/singer Dewey Bunnell, pianist/singer Gerry Beckley and guitarist/singer Dan Peek â all sons of US servicemen â crossed paths during the late price would any sane bookmaker offer on three American youths meeting one another in the UK, scoring a hit with a single that wasnât even on their debut albumâs first pressing, then becoming one of the biggest-selling acts of the 70s? Probably very long odds. But in fact itâs exactly what happened when guitarist/singer Dewey Bunnell, pianist/singer Gerry Beckley and guitarist/singerDan Peek â all sons of US servicemen âcrossed paths during the late 60s.âOur fathers were stationed at an Air Force base in West Ruislip, just outside of London,â says Bunnell, composer of the song that would change their lives. Bunnell was actually born in the Yorkshire town of Harrogate.âWe were fortunate to be in England at such a pivotal time in music,â he observes, âbut our first album was also influenced by the best of the American bands â that whole magical, multi-layered vocal harmony thing.âThe trio decided to call themselves America, and got a deal with Warner Brothers after a gig at Londonâs Roundhouse and some radio exposure from Bob Harris. Enlisting hot session men Joe Osbourne and Hal Blaine on bass and drums, they recorded their debut album at Londonâs Trident Studios. Released in January 1972, it did moderately of the material that appeared on America had been written on borrowed acoustic guitars, as the trio tapped into the slumbering West Coast zeitgeist of The Eagles, Crosby Stills Nash & Young and Linda Ronstadt. However, the groupâs manager believed even bigger things were possible and sent them to Morgan Studios to add some extra Story Behind The Song: I Want You To Want Me by Cheap TrickThe Story Behind The Songs: Feel Like Makin' Love by Bad CompanyThe Story Behind The Song: Roll Away The Stone by Mott The HoopleThe Story Behind The Song: The Logical Song by SupertrampAmong them was a Bunnell tune called Desert Song that they had thought lacked hit potential. Later re-titled A Horse With No Name, it went on to top the American singles chart for three weeks in early 1972 and reached in the UK.âEverybody had a song called I Need You in mind as the single,â Bunnell chuckles. âIt was initially felt that A Horse With No Name was good but perhaps a little too quirky. At first it felt like a bit of a novelty song. It was a shock that it became so popular.âNeil Young grumbled a little at the tuneâs familiarity when A Horse With No Name displaced his own Heart Of Gold from the top of the US chart. Bunnell shrugs: âI never shied away from the fact that I was inspired by Neil, who was and remains a great hero.âWith its lyrics of feeling âgood to be out of the rainâ, the meaning of the song was rooted in escape from the drudgery of everyday life in the city â not promoting drug use, as a Kansas City radio station that banned it wrongly assumed [âhorseâ being a slang term for heroin].âIâd spent time in the desert and always loved nature,â Bunnell says, âand being in rainy old England, maybe I mentally gravitated back towards all of that.âAmerica notched up several more hits after relocating back to the US, and in 1975 achieved the considerable feat of outselling every other Warner Bros artist in their homeland. And yet a full decade separates the groupâs other two British chart entries, Ventura Highway [from the trioâs second album, Homecoming, in 1972], and 1982âs You Can Do Magic.âWe let things slide in Britain,â Bunnell rues. âWe left it so darned long that we couldnât get a gig in London.âIn what Bunnell describes as âthe first stumble of our careerâ, Baptist-raised Dan Peek quit in 1977 for religious reasons. But the remaining two ploughed on through both good times [which include being produced by George Martin and Janet Jackson borrowing the riff to Ventura Highway for her 2001 single Someone To Call My Lover] and bad [winding up on an independent label; playing in South Africa during the no-go days of apartheid].Although they did once try to drop A Horse With No Name from their live set, after promoters intervened it was reinstated and remains there theyâve released a Christmas album and a slew of compilations and live records, Americaâs creativity seemed to dry up after 1998âs Human Nature album. But help came along when celebrity fans Smashing Pumpkins guitarist James Iha and Fountains Of Wayne bassist Adam Schlesinger stepped in to co-produce their album Here & Now in 2007, which featured various guests including Ryan is mindful of the fact that people associate the band America with the likes of Bread, the Doobie Brothers and Chicago, but insists his bandâs live show betrays the undesirable label of âsoft rockâ.âBeing called âmiddle of the roadâ used to make me flinch,â he admits, âbut Iâd like to think that weâve carved out our own place in music history.â Dave Ling was a co-founder of Classic Rock magazine. His words have appeared in a variety of music publications, including RAW, Kerrang!, Metal Hammer, Prog, Rock Candy, Fireworks and Sounds. Daveâs life was shaped in 1974 through the purchase of a copy of Sweetâs album âSweet Fanny Adamsâ, along with early gig experiences from Status Quo, Rush, Iron Maiden, AC/DC, Yes and Queen. As a lifelong season ticket holder of Crystal Palace FC, he is completely incapable of uttering the word âBr***tonâ.
Em D6/add9/F# On the first part of the journey Em D6/add9/F# I was lookin at all the life Em D6/add9/F# There were plants and birds and rocks and things Em D6/add9/F# There were sand and hills and rings Em D6/add9/F# The first thing I met was a fly with a buzz Em D6/add9/F# And the sky with no clouds Em D6/add9/F# The heat was hot and the ground was dry Em D6/add9/F# But the air was full of sound Em D6/add9/F# I've been through the desert on a horse with no name Em D6/add9/F# It felt good to be out of the rain Em D6/add9/F# In the desert you can remember your name Em D6/add9/F# 'Cause there ain't no one for to give you no pain Em D6/add9/F# la la la la la la la la la la la la Em D6/add9/F# After two days in the desert sun Em D6/add9/F# My skin began to turn red Em D6/add9/F# After three days in the desert fun Em D6/add9/F# I was looking at a river bed Em D6/add9/F# And the story it told of a river that flowed D6/add9/F# Made me sad to think it was dead **Chorus Em D6/add9/F# After nine days I let the horse run free Em D6/add9/F# 'Cause the desert had turned to sea Em D6/add9/F# There were plants and birds and rocks and things Em D6/add9/F# There were sand and hills and rings Em D6/add9/F# The ocean is a desert with it's life underground Em D6/add9/F# And the perfect disguise above Em D6/add9/F# Under the cities lies a heart made of ground Em D6/add9/F# But the humans will give no love **Chorus
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Auf dem ersten Teil der Reise Betrachtete ich all das Leben Da waren Pflanzen und VÜgel und Felsen und Dinge Da war Sand und Hßgel und Ringe Das erste das ich traf war eine Fliege die summte Und ein Himmel ohne Wolken Die Hitze war heià und der Boden war trocken Doch die Luft war voller Geräusche Ich ritt durch die Wßste auf einem Pferd ohne Namen Es fßhlte sich gut an aus dem Regen raus zu sein In der Wßste kannst du dich an deinen Namen erinnern Denn dort gibt es niemanden, der dir Schmerz zufßgt La la, ⌠Nach zwei Tagen unter der Wßstensonne Fing meine Haut an rot zu werden Nach drei Tagen im Wßstenspass Betrachtete ich ein Flussbett Und die Geschichte, die es erzählte von einem Fluss der floss Machte mich traurig zu denken dass er tot war Siehst du, ich ritt durch die Wßste auf einem Pferd ohne Namen Es fßhlte sich gut an aus dem Regen raus zu sein In der Wßste kannst du dich an deinen Namen erinnern Denn dort gibt es niemanden, der dir Schmerz zufßgt La la, ⌠Nach neun Tagen lieà ich das Pferd frei Denn die Wßste war zum Meer geworden Da waren Pflanzen und VÜgel und Felsen und Dinge Da waren Sand und Hßgel und Ringe Der Ozean ist eine Wßste mit seinem Leben im Untergrund Und einer perfekten Verkleidung darßber Unter den Städten liegt ein Herz aus Erde Doch die Menschen wollen keine Liebe geben Siehst du, ich ritt durch die Wßste auf einem Pferd ohne Namen Es fßhlte sich gut an aus dem Regen raus zu sein In der Wßste kannst du dich an deinen Namen erinnern Denn dort gibt es niemanden, der dir Schmerz zufßgt La la, ⌠Writer(s): Bunnell Lyrics powered by zuletzt bearbeitet von Gene (Primelpresse) am 27. April 2018, 18:09
a horse with no name text
